FOR IMMEDIATE RELEASE
London UK, 16th November 2021

ARROW HAS GOT IT ALL WRAPPED UP

IN DECEMBER, ARROW PREMIERES A FILM SCREENING TO END THEM ALL, GOTHICS AND GIALLOS GALORE, AND A SHAW BROTHERS EXTRAVAGANZA!

ARROW is now available on Xbox

Key highlights this DECEMBER on the essential, alternative streaming service ARROW include the exclusive premiere of the superb, chilling cinema-set horror THE LAST MATINEE, a stocking full of films from the legendary and prolific director Rainer Werner Fassbinder, all-out martial arts spectaculars from the incomparable Hong Kong powerhouses the Shaw Brothers, and a history of giallo films with over 100 rare and classic trailers, gothic horror, and more...

ARROW take you on an exclusive trip to the movies in December in THE LAST MATINEE, a stylish neo-giallo love letter to classic slashers that will send your popcorn flying and have you diving behind your seat. Uruguayan director Maxi Contenti marks himself out as a talent to watch with a film that Rue Morgue calls “Visually stunning… indulgently violent!”. With lavish retro visuals, inventive and unexpected kills, buckets of grisly gore, a throbbing synth-drenched score, and a superb setting in a fleapit cinema, this is a fright-film lover’s dream! ARROW’s exclusive presentation of THE LAST MATINEE will include an audio commentary with director Maxi Contenti, behind the scenes footage, featurettes and loads more.

Also in December, ARROW presents kickass kung fu killers, crazy kaiju knockoffs and culture clash comedies, with a selection of twelve all-time classics from the Shaw Brothers, pioneers of revolutionary Hong Kong action films of the 1970s, including the trailblazing kung-fu classic King Boxer, aka Five Fingers of Death; the blood-soaked brutality of The Boxer from Shantung; Five Shaolin Masters and its prequel Shaolin Temple; one of the most insanely unmissable monster movies of all time, Mighty Peking Man; and unsurpassed action epics Challenge of the Masters, Executioners from Shaolin, Chinatown Kid, The Five Venoms, and Crippled Avengers; as well as the jaw-dropping, high-kicking masterworks Heroes of the East and Dirty Ho.

Also screening are some of the finest works from the early years of the career of the enfant terrible of the New German Cinema, Rainer Werner Fassbinder, who wrote, directed, produced and starred in over 40 films in his short but prolific life, before passing away of a drugs overdose in 1982 aged just 37. The films collected here are presented in high definition digital restorations prepared by the Rainer Werner Fassbinder Foundation, including his debut feature LOVE IS COLDER THAN DEATH; his long-gestating adaptation of Theodor Fontane’s classic German novel EFFI BRIEST; CHINESE ROULETTE; and THE MERCHANT OF FOUR SEASONS.

ALSO SHOWING: Unique and chilling 1960s horror chiller MILL OF THE STONE WOMAN; classic trailers from all the Italian horror greats in ALL THE COLOURS OF THE GIALLO, more from the weird wild world of cult director BRIAN LONANO, and more…

DECEMBER RELEASE CALENDAR
New Titles – From December 1

● All the Colors of the Giallo
● King Boxer
● The Boxer from Shantung
● Five Shaolin Masters
● Shaolin Temple
● Mighty Peking Man
● Challenges of the Masters
● Executioners of Shaolin
● Dirty Ho
● Heroes of the East
● Chinatown Kid
● The Five Venoms
● Crippled Avengers
● Mill of the Stone Woman
● The Last Matinee

New title - From December 6

● The Merchant of Four Seasons
● The Little Chaos
● The City Tramp
● The Bitter Tears of Petra von Kant
● Love is Colder than Death
● Life, Love and Celluloid
● Katzelmacher
● Effi Briest
● Chinese Roulette

New Title – From December 20

● 8bit Ghost Hop
● Attackazoids!
● Attackazoids, Deploy!!
● Casket Climber Insect God
● Electrical Skeketal
● Martian Precursor
● The Transmission
● Welcome to Dignity Pastures
● Memorial
● Don’t Lose Your Head

New Seasons this December

FROM DECEMBER 1ST:

The Sublime Gothic:
Edgar Allen Poe adaptations, cursed crumbling castles, decaying minds and ancestral homes, mad untethered emotions and lashings of overwrought doom and mystery - we love to wallow in the sublime gothic at ARROW, and with THE MILL OF THE STONE WOMEN joining our ranks, this seemed the perfect opportunity for a season devoted to the wild, the tormented, the possibly haunted and the aching romance of all things deliciously dark and gothic.

Titles include: Mill of the Stone Women, Your Vice is a Locked Room and Only I Have the Key, The Night Evelyn Came Out of the Grave, The Black Cat,The Shiver of the Vampires

The Dark of the Matinee:
A season full of thrills, chills, smiles, tears, scares and buckets of blood, with films from across the service that are set in the cinema or theatre and inspired by THE LAST MATINEE, The Dark of the Matinee highlights the refuge that the cinema can be for us, but also all the scary things that could happen in there… once the lights go down.

Titles include: The Last Matinee, Blood Theater, Cinema Paradiso, Tale of Cinema

Shawscope Volume One:
This season of films by the legendary Shaw brothers, Run Run and Runme, pioneers of revolutionary Hong Kong action films of the 1970s, includes the trailblazing kung-fu classic King Boxer, aka Five Fingers of Death; the blood-soaked brutality of The Boxer from Shantung; Five Shaolin Masters and its prequel Shaolin Temple; one of the most insanely unmissable monster movies of all time, Mighty Peking Man; and unsurpassed action epics Challenge of the Masters, Executioners from Shaolin, Chinatown Kid, The Five Venoms, and Crippled Avengers; as well as the jaw-dropping, high-kicking masterworks Heroes of the East and Dirty Ho.

Titles include: King Boxer, Five Shaolin Masters, Mighty Peking Man, Executioners of Shaolin, Dirty Ho

FROM DECEMBER 6TH:

Kaiju Collection:
ARROW has the best selection of the biggest and baddest city, village and bad guy stomping giant monsters around. Whether it’s heartbroken and angry hundred-foot tall apes, world-saving friend to all children turtles, enormous injustice smiting stone warriors, or even a gaggle of freaky looking spirits - we’ve got it covered.

Make sure you’re wearing a helmet to keep you safe from our kaiju crew’s rubble as we unleash the Shaw Brother’s spin on King Kong: Mighty Peking Man; all of the spinning, flying and fire-breathing baddie battling Gamera’s adventures; the full trilogy of peasant protector Daimajin’s feudal fights for fairness; and the original three strange and spooky Yokai films, as well as the legendary Takashi Miike’s recent reboot.

Titles include: Mighty Peking Man, Gamera vs. Viras, Wrath of Daimajin, 100 Monsters

FROM DECEMBER 20TH:

Brian Lonano Collection Volume 2:
We love him and you love him - we can tell by the numbers - so we were desperate to get even more mind-breaking shorts from one of our most favourite ARROW contributors, Brian Lonano, onto the service. Well, gird yourselves and get excited as for the second collection of his stability shredding shorts Brian takes you to insanity… and beyond!

8-bit beats-dropping moon ghosts, giant killer robots, interplanetary war, monsters, grooving in graveyards, Martian visions, Absinthe-fuelled spectral transmissions from beyond the veil, effed up funerals, experimental animation and even a head-thieving witch, hold on flipping tight as Brian Lonano is about to go off and we ain’t stopping him.

Titles include: 8bit Ghost Hop, Attackazoids!, Casket Climber Insect God, Electrical Skeketal, The Transmission
 

DECEMBER TITLES - IN DEPTH

EXCLUSIVE PREMIERE DECEMBER 1ST:

THE LAST MATINEE

A cold, wet day. A declining cinema. All you want is to get out of the rain and watch a good film. But who else is in there, hiding in the dark? When Ana takes over projection duties from her ailing father, she doesn’t expect anything worse than a broken reel or a burned-out bulb. But there’s a sadistic killer in the auditorium, and soon blood is running in the aisles as he starts picking off the audience members one by one. Can Ana and the few remaining survivors escape the murderous madman, or will they be victims of his matinee massacre?

DECEMBER 1: ALL THE COLOURS OF THE GIALLO

Giallo' is Italian for 'yellow', the color of the lurid pulp novels that inspired one of the most intense, extreme and influential genres in movie history. In this unprecedented collection, experience the chronological evolution of giallo with more than 100 rare and classic trailers from such masters as Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino, Antonio Margheriti and Umberto Lenzi.

DECEMBER 1: KING BOXER

Already firmly established as the most successful film studio in Hong Kong, Shaw Brothers’ worldwide commercial breakthrough would not come from one of their lavish epics, but instead from KING BOXER, a lean, mean and bloody B-movie by a Korean director. Retitled 5 Fingers of Death by Warner for US distribution, Chung Chang-wha’s thrilling tale of redemption and revenge ignited the international kung fu craze and made Shaw Brothers’ name synonymous with eye-popping action spectaculars.

After his master is attacked by brutish thugs, Zhao Zhihao (Lo Lieh) signs up to a fighting school to help improve his chances at winning the top prize in a national boxing tournament, as well as the love of the master’s daughter. Zhao soon finds himself facing off against a band of powerful tyrants using their martial arts skills to terrorise the locals, but is selected to learn the one technique that may hold the key to defeating them: the Iron Palm.

DECEMBER 1: THE BOXER FROM SHANTUNG

By 1972, Chang Cheh was already Shaw Brothers’ most prolific and well-known director with a plethora of box office hits (including the One-Armed Swordsman franchise) to his name and renowned for discovering the hottest young talents to star in his films. In THE BOXER FROM SHANTUNG (co-directed with Pao Hsueh-li), Chang’s brutal and bloody retelling of a real-life Chinese rags-to-riches story introduced a new action icon in Chen Kuan-tai (playing the title role), and would prove a key influence on a young man working on-set as an assistant director named John Woo.

In 1920s Shanghai, no-one pays the dirt-poor Ma Yongzhen (Chen Kuan-tai) any attention – until he proves himself easily capable of knocking down all-comers in a street fight, where his talents are encouraged by local gang boss Tan Si (David Chiang). Soon, Ma is carving out his own territory in the city and punching his way up the criminal ladder, step by step… but will his deadly fists be enough to get him out of the trap that awaits him?

DECEMBER 1: FIVE SHAOLIN MASTERS

After directing a non-stop string of box office hits for Shaw Brothers, the studio gave Chang Cheh his own mini-studio (Chang’s Film Co) and the freedom to produce his own martial arts masterpieces, escaping the usual Hong Kong studio backlot to shoot in exotic Taiwanese locations. Though the company was short-lived, among its output was Chang’s instant-classic ‘Shaolin Temple Cycle’, five self-contained tales of the temple’s disciples escaping and avenging the wrath of the Manchus and the Qing dynasty, the most thrilling of which may be 1974’s FIVE SHAOLIN MASTERS.

As the hallowed Shaolin Temple burns to the ground on the orders of the Emperor, the last five surviving students – Hu Dedi (David Chiang), Cai Dezhong (Ti Lung), Ma Chaoxing (Alexander Fu Sheng), Li Shikai (Chi Kuan-chun) and Fang Dahong (Meng Fei) – attempt to locate and ally themselves with the growing anti-Qing resistance. Soon it becomes clear that the biggest battle is yet to come, and the five disciples must hone their skills and learn newer and deadlier techniques as enemies and traitors close in on all sides.

DECEMBER 1: SHAOLIN TEMPLE

Returning to Hong Kong filmmaking after a spell in Taiwan, director Chang Cheh closed out his ‘Shaolin Temple Cycle’ with arguably the most star-filled and action-packed instalment yet in SHAOLIN TEMPLE. Ostensibly (though not strictly) a prequel to Five Shaolin Masters, it reunites many of the stars of that film with up-and-coming talents in a range of unforgettable set pieces and a fiery climax that has to be seen to be believed!

The monks of the Shaolin Temple realise that an attack from the ruthless Qing authorities is imminent and decide to admit new pupils to bolster their ranks, including the plucky Fang Shiyu (Alexander Fu Sheng), who wishes to avenge his father’s death. Two older disciples, Hu Dedi (David Chiang) and Cai Dezhong (Ti Lung), share what they’ve learnt with the newer pupils, but a final, deadly face-off is being set up from within by traitors inside the temple.

DECEMBER 1: MIGHTY PEKING MAN

When Hollywood announced a big-budget remake of King Kong, Shaw Brothers followed suit with perhaps the most unhinged giant monster movie ever made: MIGHTY PEKING MAN. Fresh off directing the smash hit Black Magic horror series for Shaw, director Ho Meng-hua’s crazy kaiju knock-off also features unforgettable special effects from the Japanese talents behind the effects for the Gamera, Daimajin and Yokai Monsters films.

An explorer named Chen Zhengfeng (Danny Lee, star of Shaw’s superhero opus Super Inframan) joins an expedition to India to capture the legendary Mighty Peking Man, a huge Himayalan creature whose very presence causes destruction. The expedition quickly turns sour and Chen is left alone in the heart of the jungle, only to come face-to-face with the beast and Ah-wei, the beautiful human woman that loves him.

DECEMBER 1: CHALLENGE OF THE MASTERS

After masterminding the spellbinding martial arts choreography on dozens of Shaw Brothers’ biggest hits, Lau Kar-leung became an extraordinary director in his own right. His second film, the thrilling and deeply personal CHALLENGE OF THE MASTERS, draws upon the legend of the real-life Cantonese folk hero Wong Fei-hung, played here by Lau’s soon-to-be-legendary adoptive brother Gordon Liu in his first starring role.

The teenage Wong (Liu) is frustrated when he is forbidden from attending his father’s own martial arts school, but finds an opportunity to prove himself during the games in an annual firecracker competition. After a competing kung fu school recruits a deadly and mysterious drifter (played by director Lau) help push the odds in their favor, with tragic and fatal results, Wong is selected by reclusive master Lu A-cai (Chen Kuan-tai) to be his next pupil in order to carry out justice.

DECEMBER 1: EXECUTIONERS FROM SHAOLIN

Having choreographed the action for many of Chang Cheh’s ‘Shaolin Temple’ films, director Lau Kar-leung used his inimitable talents and deeply-felt understanding of kung fu history to create his own idiosyncratic take on the same historical legends in EXECUTIONERS FROM SHAOLIN, jam-packed with extraordinary fight scenes and unforgettable characters, not least the evil Bai Mei, the White-Browed Hermit!

After Bai Mei (Lo Lieh) and the Qing army burn the Shaolin Temple to the ground, killing its high priest and nearly all of its disciples, survivor Hong Xiguan (Chen Kuan-tai) vows revenge through the ‘Tiger Fist’ technique, even if it takes him decades to master it. After many years, the time for vengeance arrives – but the key to defeating Bai Mei may in fact lie with the ‘Crane’ technique practised by Hong’s headstrong wife, Fang Yongchun (Lily Li) and their immature teenage son, Hong Wending (Wong Yue).

DECEMBER 1: DIRTY HO

After the international success of The 36th Chamber of Shaolin, star Gordon Liu and his director brother Lau Kar-leung drew upon the Chinese legend of the imperial prince travelling in secret amongst the common people for what many argue to be their masterpiece, the supremely entertaining DIRTY HO. Ignore the misleading title; Lau’s take on the odd couple buddy comedy shows off some of the most inventive kung fu choreography in the Shaw Brothers canon and is not to be missed!

Impudent young jewel thief Ho Jen (Wong Yue) is shown up one night by the mysterious art collector Wang (Liu), who unexpectedly takes a shine to Ho and sets about teaching him a lesson. After Ho is ‘accidentally’ poisoned during a scuffle, Wang withholds the antidote until the robber reluctantly promises to become his disciple and bodyguard. Ho soon realises, however, that there is more to his new master than he is letting on, and that powerful enemies are waiting around every corner.

DECEMBER 1: HEROES OF THE EAST

Decades after World War II, the Japanese were almost always portrayed as villains in Hong Kong cinema, but one of the first films to buck the trend was Lau Kar-leung’s HEROES OF THE EAST, which pits Japanese and Chinese martial arts against one another and ultimately celebrates both. Lau’s trademark mix of high-kicking kung fu choreography and knee-slapping physical comedy is on full display in one of the director’s most acclaimed films.

In 1930s Shanghai, Ho Tao (Gordon Liu) is betrothed to Japanese girl Yumiko (Yuka Mizuno), a marriage arranged by their fathers to cement their business relationship. The honeymoon phase doesn’t last long as the two newlyweds come to blows over their respective martial arts styles in a literal culture clash. After Yumiko returns to Japan, a misunderstanding causes a collection of the finest representatives of the Japanese fighting arts (karate, judo, kendo, etc) to arrive in Shanghai to confront Ho, led by a former admirer of Yumiko’s (Yasuaki Kurata, Return of Sister Street Fighter). Can Ho win each of the dangerous challenges as well as his wife back?

DECEMBER 1: CHINATOWN KID

One of director Chang Cheh’s most inarguable talents was discovering new on-screen talent and catapulting them to stardom, and few stars shone brighter than the cheeky, handsome Alexander Fu Sheng. A very contemporary deviation from the usual period setting of their films, CHINATOWN KID is one of Chang and Fu Sheng’s greatest collaborations, and after years of only being officially available in a heavily censored form, has finally been restored to its hard-hitting uncut glory.

Tam Tung (Fu Sheng) arrives in Hong Kong to help out his elderly grandfather, but his accomplished martial arts skills soon attract the unwelcome attention of the Triads and he is forced to flee to San Francisco. Once there, Tam soon finds himself in the middle of a brutal turf war between two rival gangs, the Green Tigers and the White Dragons. The seductive lure of fast money and power prove irresistible as the violence rages on – can Tam’s fighting abilities save him from getting in too deep and losing his soul?

DECEMBER 1: THE FIVE VENOMS

After over a decade of discovering some of the hottest talents in Hong Kong action cinema, director Chang Cheh outdid himself with the formation of the all-powerful posse of kung fu experts known to fans as the Venom Mob. Though the members of the group had appeared in other Chang films like Chinatown Kid, nowhere did they make a bigger impression than their official debut, first released in America as The 5 Deadly Venoms.

Young disciple Yang De (Chiang Sheng) is given the task of tracking down five former students of his master. Each student is trained in the deadliest kung fu techniques and adopts the disguise of a venomous animal – the Centipede, the Snake, the Scorpion, the Lizard and the Toad – to hide their identity, not only from the outside world, but from one another. As Yang searches for the five Venoms, a deadly battle of wits takes place between his prime suspects (Sun Chien, Philip Kwok, Lo Meng, Wei Pai and Lu Feng) to root out one another and claim a hidden treasure.

DECEMBER 1: CRIPPLED AVENGERS

After achieving instant icon status as the stars of The Five Venoms, the Venom Mob collaborated with director Chang Cheh once again in their most unhinged and spectacular effort yet, CRIPPLED AVENGERS, which also saw the return to Shaw Brothers of kung fu legend Chen Kuan-tai.

The powerful Du Tiandao (Chen) is driven insane by the murder of his wife and dismemberment of his son, and vents his vengeful fury at anyone that dares to cross him. Four such unfortunates – one whose eyes are gouged out (Philip Kwok), one who is made deaf mute (Lo Meng), one whose legs are chopped off (Sun Chien) and one that is brain damaged (Chiang Sheng) – realise they are stronger together and team up to get their revenge against the ruthless Du and his metallically-enhanced son.

DECEMBER 1: MILL OF THE STONE WOMEN

Before Black Sabbath, before I Vampiri, director Giorgio Ferroni (The Lion of Thebes, Blood for a Silver Dollar) introduced audiences to period horror Italian-style with his chilling 1960 shocker MILL OF THE STONE WOMEN – a classic tale of terror redolent with the atmosphere of vintage Hammer Horror.

DECEMBER 6: THE MERCHANT OF FOUR SEASONS

Hans Epp is a self-destructive man who lives a dissatisfied life. He tries to find meaning as a fruit vendor, but a heart attack impedes his ability to work, which turns his dissatisfaction into despair.

DECEMBER 6: THE LITTLE CHAOS

Theo, Marite, and Franz cannot make any money selling magazines door to door, so they try a little robbery.

DECEMBER 6: THE CITY TRAMP

A tramp finds a gun lying in the street.

DECEMBER 6: THE BITTER TEARS OF PETRA VON KANT

Originally written and produced as a stage play, in transferring THE BITTER TEARS OF PETRA VON KANT to the big screen Rainer Werner Fassbinder created another masterpiece to rank alongside a string of cinematic classics.

Petra von Kant, with two marriages behind her and an absent daughter, is a successful fashion designer. She lives with her secretary, the repressed and subservient Marlene, who will form the second point in a tragic ménage à trois when Petra meets and falls hopelessly in love with a confident young model named Karin.
Harking back to the women’s pictures of Hollywood’s yesteryear, THE BITTER TEARS OF PETRA VON KANT is a magnificent showcase for Fassbinder’s female stars. Margit Carstensen (as Petra), Irm Hermann (as Marlene) and Hanna Schygulla (as Karin) deliver outstanding performances, three of the finest the cinema has ever seen
DECEMBER 6: LOVE IS COLDER THAN DEATH

Dedicated to Claude Chabrol, Éric Rohmer, Jean-Marie Straub and the main characters from Spaghetti Western A Bullet for the General, LOVE IS COLDER THAN DEATH is a playful crime picture, heavily indebted to the Nouvelle Vague.

DECEMBER 6: LIFE, LOVE AND CELLULOID

Juliane Lorenz, the director of the Rainer Werner Fassbinder Foundation, explores the life and work of the prodigious and rebellious filmmaker in a documentary that interviews film scholars as well as the people who knew him best - those who worked with him on his films - in a fascinating and insightful piece that also features excerpts from American productions of Fassbinder’s plays as well as footage of Hanna Schygulla performing a Fassbinder inspired one-woman show.

DECEMBER 6: KATZELMACHER

KATZELMACHER is more in line with Fassbinder's stage efforts, a character study and mini-melodrama in which the dynamic between a group of friends is radically altered by the arrival of an immigrant worker.

DECEMBER 6: EFFI BRIEST

Rainer Werner Fassbinder had been wanting to adapt Theodor Fontane’s classic German novel EFFI BRIEST ever since he first picked up a film camera. Originally intended to be his feature debut, the project took years to get off the ground and finally surfaced in 1974, in the process becoming his most expensive production to date as well as one of his most ambitious.

Dubbed ‘the German Madame Bovary’, EFFI BRIEST tells of a seventeen-year-old girl (played by Hanna Schygulla) who is married off by her parents to a wealthy Baron (Wolfgang Schenk) more than twice her age. Lonely and dissatisfied, she seeks solace in the companionship of her husband’s friend, Major Crampas (Ulli Lommel).
Beautifully recreating late nineteenth century Germany and gorgeously shot in black and white, EFFI BRIEST also serves to showcase Schygulla, here giving her first star performance for Fassbinder.
DECEMBER 6: CHINESE ROULETTE

Set in an isolated house during a weekend break, is like Agatha Christie’s And Then There Were None without the murders – a tense psychodrama in which infidelities are revealed and families breakdown. At its centre is nouvelle vague icon Anna Karina, a rare outsider alongside the familiar Fassbinder faces.

DECEMBER 20: 8BIT GHOST HOP

A mysterious signal from the moon summons strange ghosts.

DECEMBER 20: ATTACKAZOIDS!

A woman struggles for survival in a ghostly world besieged by giant killer robots.

DECEMBER 20: ATTACKAZOIDS, DEPLOY!!

War is declared on the off world settlement. Everyone from suburban homemakers to super scientists are uniting to deploy an army of the giant killer robot Attackazoids.

DECEMBER 20: CASKET CLIMBER INSECT GOD

After death, Teeth Man spends time around his casket with a monstrous insect and other horrid creatures before transforming into one himself.

DECEMBER 20: ELECTRICAL SKEKETAL

A refreshing return to the "B" movies of the 50s and 60s, this music video film tells the horrific and hilarious events one night in a deserted graveyard.

DECEMBER 20: MARTIAN PRECURSOR

A helpless man is tormented by visions from Mars.

DECEMBER 20: THE TRANSMISSION

While a storm rages outside and Henry drinks his bottle of absinthe, he receives a television transmission - from his dead wife.

DECEMBER 20: WELCOME TO DIGNITY PASTURES

Dignity Pastures Funeral Home takes great pride in assisting families to grieve their lost and will give you a respectable and dignified service...no matter what happens.

DECEMBER 20: MEMORIAL

An experimental fantasia that features nautical, cardiac and photographic imagery as our way of paying tribute to our late father.

DECEMBER 20: DON’T LOSE YOUR HEAD

When the stress of life is too much for Ruby, she falls prey to a strangely familiar Witch who steals her head.

ARROW is now available on Xbox

Where to get it

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For more information contact:
Fetch Publicity | Sadari Cunningham | sadari@fetch.fm

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About ARROW:
From Arrow Films, a recognised world-leader in curation and creation, ARROW [formerly known as ‘Arrow Video Channel’] is a premium platform giving you an unparalleled viewing experience across multiple devices, so you can explore the films and TV shows that the Arrow brand is famous for.

Specially curated by members of the ARROW team, ARROW will be home to premium film and TV entertainment, exclusive new premieres, cutting edge cinema, international classics and cult favourites - such as the works of Lars Von Trier, Brian De Palma, Dario Argento, David Cronenberg and Park Chan-wook - plus the very best in acclaimed TV series, including The Bridge and Italian crime series Gomorrah, and brand-new short films from both new and established filmmakers. In the coming months, ARROW will be adding Oscar-winning hits, European classics, Asian cinema masterworks, rediscovered Westerns, offbeat gems and much more, along with such festival favourites Dementer and Dinner in America as part of ARROW’s international strategy to support and celebrate the medium of film.

ARROW will also be home to ARROW Stories - an ever-growing collection of interviews, trailers, documentaries and additional extras, newly created just for the service and from its extensive archives. The service will be updated regularly with fresh content, new curation focuses and never-before-seen content, all selected by the ARROW team as well as the filmmakers themselves. With a slickly designed and user-friendly interface ARROW is the new alternative place to go for the very best in On-Demand entertainment.